July 21, 2010
As part of the Golden State Bonsai Federation convention this year, Bay Area suiseki enthusiasts are organizing a suiseki program, including a seminar, exhibit, and collecting trip.
The convention runs from Thursday, October 28 – Sunday, October 31 at the Santa Clara Marriott. Full information about the many activities and how to register for the convention can be found on their website: http://www.gsbfconvention.com/
The suiseki seminar is a panel discussion on Saturday Oct 30, 8:30 am – noon. The panel members include some of the best-known suiseki teachers in California; they will discuss their views about how to find and recognize a good suiseki, how to finish or present it, and how to display the suiseki for others. We expect this to be an interesting, informative, and provocative discussion.
The stone-collecting trip, on Wednesday Oct. 27 – Thursday Oct. 28, will be a two-day trip to famous Eel River collecting sites where fine quality suiseki can be found. The trip is 1 1/2 days of stone collecting (all day Wednesday, and Thursday morning) with guidance from a team of experienced suiseki collectors. The trip includes 2 picnic lunches and a dinner program.
Both the panel discussion and the collecting trip are paid convention events. You can register for them through the convention website.
The bonsai and suiseki exhibit is open to the public free of charge. It will be open from Friday, Oct 29 at 1:30 pm until Sunday, Oct 31 at 11:00 am. Detailed open and close times can be found in the convention schedule.
We are very much looking forward to seeing old friends, and making new ones, so please join us this fall.
June 26, 2008
Found Object, June 2008; W 21″ x D 12″ x H 5″; Stone, Walnut with stain
This is a stone we found by searching through a big bin in the yard of a rock shop near Eureka. We found several tamari (water pool stones) with good color and shape. Mas originally planned to finish this stone in a very simple suiseki style with a wooden daiza. One side shows beautiful color, and he chose it as the front. About a year ago he made a rough model for the base, but had not completed the woodwork.
Then, a few weeks ago, a friend told us about a mill up in Santa Rosa that sells pieces of hardwood as scrap. When we went there we discovered a mountain of solid walnut slabs. Searching through the pile was like stone-collecting on the river – from among the thousands of pieces we selected a few.
After we got home Mas was looking at the smallest slab and thought it was so interesting. While he had it up on the table to study he remembered this stone, and thought that maybe they might fit together.
Mas tried different orientations and locations for the stone, looking for the best combination. He tried turning the stone around and using the less colorful back as the new front, and found that the rough, subdued, appearance of the stone harmonized with the wabi-sabi feeling of the wood. In this orientation, the movement and lines of the stone and slab echo each other, creating a unified composition. I find it quite remarkable – a rock found in a bin and a piece of wood found on a scrap heap seem to fit together as if intended.
Mas did very little work on the wood. He made a shallow seat for the stone, just deep enough to hold it upright, removed the bark at the front and slightly carved the edge of the slab. He finished the piece by applying a light stain and flat varnish to bring out and preserve the natural wood color. In this way, Mas tried to show the simplicity and purity of the wood and stone.
Stone is the beauty of the earth and wood represents life and death. Combined they create endless possibilities for art. – Mas Nakajima
Walnut Mountain, May 2008
Click on this photo for pictures of the development of this piece.
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